Unique to Crave EQ, transparent phase combines the best of both the analog and digital worlds. At lower filter frequencies it employs an analog phase model and at higher filter frequencies uses an innovative phase suppression algorithm to deliver precision at low frequencies and transparency at high frequencies.
The diagram below shows the four phase models in Crave EQ (analog, digital, transparent and linear) for a peaking filter at 5kHz. In this example, the transparent phase model is set to a lookahead/crossover of 5ms/800Hz.
Decibel meter scalable from -90dB/+30dB to -12dB/+12dB. Input levels added alongside output levels.
Above the decibel meter is a new peak hold indicator (click to reset).
Linear phase latency is now adjustable.
Automatic gain compensation adjusts the output gain to compensate for the effect of filtering on perceived loudness.
Input gain controls complement the existing output gain controls.
Use the extended preset functionality to specify exactly what parameter subsets a preset will affect.
Use the extended preset functionality to specify default settings for new plugin instances.
The filter bypass is now exposed as an automation parameter.
The gain and frequency display of the current cursor position are highlighted on the axes.
The AAX format is now supported for Pro Tools users.
Crave EQ is now available for macOS 10.9 and above.
The spectrum analyzer now has a smoothing control. Also, the resolution and latency of the spectrum analyzer is clearly marked.
You can solo a band from the context menu or via double-click.
Filter bands, knobs and axes can be controlled via the mouse wheel.
Filter slope can be controlled via Ctrl mouse wheel on Windows and Command mouse scroll on macOS. You can make finer adjustments to bands by holding Shift while dragging.